Friday, October 03, 2008 Class management By Clint Holton P. Potestas
LEAD him not into temptation.
Given all the style ideas and detail frills, Rei Escario admits to the temptation to use every available embellishment on one outfit.
But restraining the urge has led him into his fashion identity and into understanding its depth.
Class, a term referring to an “effortless” display of elegance, is a dominant concept. He takes risks in eclectic ensembles, but he maintains a subtle hint of luxury.
“I was inspired by the idea of making something modern, yet it still has a classy touch to it. It has a mixture of both eastern and western style,” says Escario.
Art lies in his fabric options. Instead of cuts, he emphasizes on the blocking of fabrics, like taffeta, silk, chiffon, cotton, linen, and stretched jersey.
When combined or draped, these materials should be in simple cuts; otherwise, they would look, to borrow from Michael Kors, “too customy” (quoted during a Project Runway to-do).
Understanding the need for simplicity, Escario represses the silhouette: strapless tops and dresses, the empire, and the palazzo, a wide-legged trouser, usually extending to the floor.
For his men’s line, the execution is tailored with a little draping and detailing on the neckline.
The color blocking is an aspect Escario has given full attention. Black and white is a classic tandem. Red, being a sophisticated color, flirts with other dresses in green, blue, and gold. Nude stays on the safe side.
“My design concept is always something clean, elegant, and modern with a touch of old spice. I make sure that my clothes always look clean, light, and sculptured. I want to make clothes that are timeless and beautiful,” Escario explains.
Growing up with his brother Jun, who is a Manila-based designer, he admits to the “family” influence of style. But in the different areas of fashion, he has gradually built his own identity, and a list of clientele who appreciates beauty beyond aesthetic value.
