THE “Ant-Man” sequel may be about tiny superheroes, but the film is making a big statement about female empowerment by featuring Evangeline Lilly’s The Wasp not only in the title, but giving her a larger stake in Marvel’s sprawling movie franchise.
“Ant-Man and The Wasp,” the 20th film in the Marvel cinematic universe that includes “Black Panther,” “Iron Man” and “Avengers: Infinity War,” is the first one in the series to include a female character in a title role. The prominence of The Wasp, a character who has major roles in the “Ant-Man” and “Avengers” comic books, comes after years of fan anticipation for a female Marvel superhero to get her own film. Scarlett Johansson has expressed her desire to see her character, Black Widow, get a standalone film, but Marvel Studios has kept her primarily in its marquee “Avengers” films.
“You know, I’ve asked myself the same question: Are we making a mountain out of a molehill?” Lilly said during a recent interview when asked about being featured in a Marvel film’s title. She said after considering it more closely, “No, actually, this is kind of a big deal, and this is about time.”
The film is the sequel to 2015′s “Ant-Man,” which introduced Paul Rudd as a thief enlisted by Michael Douglas’ Hank Pym to become a do-gooder. The original earned more than $180 million in North America and $500 million at the global box office.
The Wasp was a comic book favorite of director Peyton Reed, who teased her appearance in future Marvel films with a cameo of her supersuit at the end of “Ant-Man.”
He said it was important that The Wasp be a fully formed hero and not bound by stereotypes.
“I worked really closely with Evangeline, and we talked about, ‘Now we’re going to have a chance to make a fully formed hero, and we want her to be as dimensional as possible. And we don’t want her to be a hero who is always glammed up with hair and makeup. We wanted her to be a little sweaty. And we want her, like, when that helmet comes off, her hair is in a ponytail, because that’s the practical thing you would do,’” Reed said.
Lilly’s role isn’t the only prominent female character in the film. Hannah John-Kamen plays Ghost, a villain bent on sowing discord among powerful institutions, in a role that was initially written for a man.
“It’s amazing, as a female, to play such a strong character ...so that people can look up to that and see that, ‘Yeah, this is a progression,’” said John-Kamen, who is in her biggest role yet after starring in the Canadian sci-fi series “Killjoys” and having small roles in “Ready Player One” and “Tomb Raider.”
“There is so much more going on in this film that represents female energy, that represents female stories, that represents female struggle and that represents female power,” Lilly said. “In this film, I’m very proud to say I recognize authentic female power in that it’s powerful to be vulnerable; it’s powerful to be elegant; it’s powerful to be graceful and nurturing and kind and forgiving and compassionate and generous ...things that tend to be typically categorized as weaknesses.”
Marvel’s first film based solely on a female superhero will be the 1990s’ set “Captain Marvel,” which stars Brie Larson in the title role and is slated for release next year.
The “Ant-Man and The Wasp” cast are keeping any secrets about that film closely guarded. During a recent interview, Rudd started to answer a question about his character’s role going forward in Marvel films. “A funny story, because, you know, in ‘Avengers 4,’” he said, before pretending to be hit in the neck with a dart and falling out of his chair.
Douglas said he underwent secrecy tests—and thought he might have to give blood—to prove that he could keep from spoiling that film’s secrets. While he thought it was a bit much at the time, Douglas said he’s grown to appreciate what Marvel Films has done and the care they take to avoid spoilers for fans. (AP)