Bathalad Cebu joins Taboan writers’ fest

LITERARY CONGREGATION. More than 70 delegates and coordinators converge at the Central Bicol State University of Agriculture in Pili town, Camarines Sur on Oct. 7-8, 2019 for the 11th Taboan National Writers Festival. (CONTRIBUTED FOTO)
LITERARY CONGREGATION. More than 70 delegates and coordinators converge at the Central Bicol State University of Agriculture in Pili town, Camarines Sur on Oct. 7-8, 2019 for the 11th Taboan National Writers Festival. (CONTRIBUTED FOTO)

THE members of creative writers’ group Bathalan-ong Halad sa Dagang (Bathalad) Cebu participated in the 11th Taboan National Writers Festival on Oct. 7-8, 2019.

CD Borden, Bathalad Cebu president, led the group during the event, which was held at the Central Bicol State University of Agriculture in Pili town, Camarines Sur.

Literary scholar Hope Sabanpan-Yu, who champions Cebuano Literature, opened the event.

“This festival, our eleventh, brings together local and national writers and artists to celebrate the pleasure of hearing ideas, sharing stories and the spoken word. This year we are joined by over 70 writers for two days of inspired exchanges that will engage as well as entertain us,” Yu said.

Yu chairs the National Committee on Literary Arts of the National Commission for Culture and the Arts.

The festival carried the theme “Lawas Literatura (Body Literature),” which, as Yu said, “focuses on the intersections of body and literature.”

On the literary festival’s first day, the Bathalad Cebu members—Borden, Kenneth Michael Baba and Kaiser V. Alemania—talked about creative writing and entertained questions from Bicolano students, some of whom were aspiring poets and fictionists.

The talks were moderated by Yu, who is the director of University of San Carlos’s Cebuano Studies Center.

Baba, a promising young writer, presented a paper on Cebuano writers living abroad who are still writing in their native language.

“What constitutes Cebuano Literature? Cebuano writer who lives abroad and writes in English or Cebuano, or Cebuano writes who lives outside Cebu but within the country and writers in either/both Cebuano and/or English. Cebuano writers writing in English based in Cebu. Cebuano writers writing in Cebuano in Cebu,” he said.

Alemania, Bathalad Cebu vice president, talked about influential poet-diplomat Vicente Bandillo.

“Bandillo has been living out of his native country for decades yet his native country never left his writing. You can still see and feel the land of his childhood and youth bursting at the seams of his poems,” he said.

Bandillo is the current Philippine ambassador to Bangladesh, Sri Lanka and Maldives. The poet-diplomat had published six books of poetry—”Earth Alive, Moon Eternal” (2001); “Sanglitanan sa Kalipay ug Kasakit” (2003); “Tsinelas nga Nalubong sa Danaw” (2009); “The Book of Departures” (2017); “Damgo ug Alimungaw” (2018); and “Ang Musimos Mismo” (2018).

“There is not a trace about the humdrum of his diplomatic life in any of his verses, because, and I say this with absolute sincerity, this life does not warrant a line or two. There is no sense of urgency to it. There is no excuse to exercise the limits of the imagination. There is no possibility for poetry at all,” Alemania said.

Borden, a Palanca-winning fictionist, discussed the state of science fiction in Cebuano Literature. He talked about some Sci-Fi stories written by Gally Sayson.

He said a writer who lives in a technology-deprived place can still write good science fiction.

“Writing a good science fiction story is the same as writing a good story of any particular genre. All the writer needs is to be in touch with ‘the spirit of science fiction.’ Basically, he needs to invent a world or a universe—if you will—populated by characters and ideas that correspond appropriately to this new universe. It could be about a mutiny of robots against the whole human race, a romance between a woman and a Martian, a journey into the vast unknown and, albeit, fictional regions of outer space to explore an alien planet or, to put it more bluntly, it is whatever it is that tickles your cerebral cortex since you can sometimes invent science in fiction (although you can never invent fiction in science),” Borden said. (S)

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